référence : http://listes.cru.fr/arc/mascarene/2007-03/msg00000.html
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Théâtre Tudor Richard Hillman



Le Centre d'Études Supérieures de la Renaissance de l’Université François-Rabelais de Tours est heureux d’annoncer la publication en ligne de l’ouvrage suivant, qui se trouve en libre accès sur le site http://www.cesr.univ-tours.fr/ (lien “Publications”) :

 

THETA VII – Théâtre Tudor : Outsiders Within (Dedans / Dehors): Figures of Mediation, éditeurs scientifiques André Lascombes et Richard Hillman

 

 

Table des matières :

 

$          Bob Godfrey

Direct Address and Double Dealing: A Study of Subversive Stage Convention

 

$          Richard Hillman

Out of Their Classical Depth: From Pathos to Bathos in Early English Tragedy, or, The Comedy of Terrors

 

$          Michael Hattaway

Ekphrasis in Tudor Drama: The Representation of Representations

 

$          Frédérique Fouassier

            Mary Magdalene on Stage: "The Sinner in the City" and the Persistent Remnant of Catholic Culture in an Anglican Society

 

$          Catherine Lisak

Staging the Doubting Conscience: From The Conflict of Conscience to Richard III

 

$          Peter Happé

Metatheatre in the English Mystery Cycles: Expositor, Contemplatio, Prolocutor and Others

 

$          Gaëlle Branford

Mediation in the Towneley Second Shepherds' Play

 

$          André Lascombes

Play-Area as Mediation in the Digby Mary Magdalene

 

$          Jean-Paul Debax

The Function Called "Commentator" in Some Early Tudor Interludes

 

$          Norah Y. Phoenix

Intradramatic Mediation: The influence of Terence

 

$          Mike Pincombe

A New Interlude of Vice: Generic Experimentation in Horestes

 

$          Greg Walker

Spoiling the Play?: The Motif of Dramatic Intrusion in Medwall and Lindsay

 

$          Pauline Blanc

Commentators, Mediators, Subversives Within and Without John Bale's Nonconformist Play World

 

$          Nathalie Rivère de Carles

The Curtained Stage: Inside and Outside the Elizabethan Playing Space

 

$          Francis Guinle

De la marge au centre : les personnages populaires des comédies de cour

 

$          Howard B. Norland

Shakespeare's Richard III as a Choric Subversive

 

$          Roberta Mullini

"A shrewd knave and an unhappy": The Fool in All's Well that Ends Well

 

$          Donald Beecher

John Marston's The Fawn, the "Other" Self, and the Problem of Belief

 

$          Gilles Bertheau

Élisabeth ou le personnage impossible : la figure d'Élisabeth Ire dans Chapman et Heywood