![]()
Procédés et systèmes d'enregistrement
et de reproduction sonores en trois dimensions© Daniel Courville, 1993 / Mise à jour le 16 novembre 2006
BIBLIOGRAPHIE
- ALBERSHEIM, Walter J., SHIRLEY, Frederick R., «Computation Methods for Broad-Band 90° Phase-Difference Networks», IEEE Transactions on Circuit Theory, vol. CT-16, no 2, 1969.
- ALKIN, Glyn, Sound recording and reproduction, Londres, Focal Press, 1981.
- BARRON, M., MARSHALL, A.H., «Spatial Impression Due to Early Lateral Reflections in Concert Halls», Journal of Sound Vibration, vol. 77, pp 211-232, 1981.
- BARTLETT, Bruce, BILLINGSLEY, Michael, «An Improved Stereo Microphone Array Using Boundary Technology: Theorical Aspects», Journal of the Audio Engineering Society, vol. 38, no 7/8, 1990.
- BARTON, Geoff, «The Ambisonic Mastering Package», manuel d'instruction, Audio Design, 1984.
- BETTS, Dave, REID, Gordon, «DSP and audio restoration», Studio Sound and Broadcast Engineering, vol. 35, no 3, 1993.
- BLAUERT, Jens, Spatial hearing: The Psychophysics of Human Sound Localization, Cambridge, The MIT Press, 1983.
- BLAUKOPF, Kurt , «L'espace en musique électronique», Musique et technologie, numéro spécial de La revue musicale, Paris, Éditions Richard-Masse, 1971.
- BLOOM, P. Jeffrey, «Creating Source Elevation Illusions by Spectral Manipulation», Journal of the Audio Engineering Society, vol. 25, no 9, 1977.
- BLUMLEIN, Alan Dover, «Improvements in and relating to Sound-transmission, Sound-recording and Sound-reproducing Systems», brevet 394325, déposé le 14 décembre 1931 et accordé le 14 juin 1933, Angleterre.
- BORISH, Jeffrey, «An Auditorium Simulator for Domestic Use», Journal of the Audio Engineering Society, vol. 33, no 5, 1985.
- CABOT, Richard, «A Triphonic Sound Reproduction System Using Coincident Microphones», Journal of the Audio Engineering Society, vol. 27, no 12, 1979.
- CAPLAIN, Robert, Techniques de prise de son, Paris, Éditions techniques et scientifiques françaises, 1980.
- CEOEN, Carl, «Comparative Stereophonic Listening Tests», Journal of the Audio Engineering Society, vol. 20, no 1, 1972.
- CLARK, H. A. M., et al., «The "Stereosonic" Recording and Reproducing System», Journal of the Audio Engineering Society, vol. 6, no 2, 1958.
- COLEMAN, Paul D., «Failure to Localize the Source Distance of an Unfamiliar Sound», Journal of the Acoustical Society of America, vol. 34, no 3, 1962.
- COOK, Peter, Toward a microphone technique for Dolby Surround encoding, mémoire de maîtrise en musique, enregistrement sonore, Université McGill, Montréal, 1991.
- COOPER, Duane H., «Problems with Shadowless Stereo Theory, Asymptotic Spectral Status», Journal of the Audio Engineering Society, vol. 35, no 9, 1987.
- COOPER, Duane H., réponse à Gary C. Eickmeier, «Comments on the distinction between stereophonic and binaural sound», Journal of the Audio Engineering Society, vol. 39, no 4, 1991.
- COOPER, Duane H., BAUCK, Jerald L., «Prospects for Transaural Recording», Journal of the Audio Engineering Society, vol. 37, no 1/2, 1989.
- COOPER, Duane H., BAUCK, Jerald L., «Generalized Transaural Stereo», expose no 3401 presente à la 93e convention de Audio Engineering Society, San Francisco, octobre 1992.
- COOPER, Granville, «Tetrahedral Ambiophony, Part One», Studio Sound and Broadcast Engineering, vol. 12, no 6, 1970.
- CRAVEN, Peter G., GERZON, Michael A., «Coincident Microphone Simulation Covering Three Dimensional Space and Yielding Various Directional Outputs», Official Gazette, United States Patent Office, brevet no 404277, 1977.
- DEFOSSEZ, André, «A Matrixed Pressure Triplet for Full Surround Stereophonic Pickup», expose no 3254 presente à la 92e convention de Audio Engineering Society, Vienne, mars 1992.
- DICKREITER, Michael, Tonmeister Technology, New York, Temner Enterprises Inc., 1989.
- DOOLEY, Wesley L., STREICHER, Ronald D., «Basic Stereo Microphone Perspective - A Review», Journal of the Audio Engineering Society, vol. 33, no 7/8, 1985.
- EARGLE, John, éditeur, An anthology of reprinted articles on stereophonic techniques, Audio Engineering Society Inc., New York, 1986.
- EICKMEIER, Gary C., «Comments on the distinction between stereophonic and binaural sound», Journal of the Audio Engineering Society, vol. 39, no 4, 1991.
- ELEN, Richard, «Ambisonic mixing - an introduction», Studio Sound and Broadcast Engineering, vol. 25, no 9, 1983.
- ELEN, Richard, «Whatever happened to Ambisonics?», Audio Media, vol. x, no 11, 1991.
- FARRAR, Ken, «Soundfield microphone», Wireless World, vol. 85, nos 10 et 11, 1979.
- FELLGETT, Peter B., «Ambisonic reproduction of directionality in surround-sound systems», Nature, vol. 252, 13 décembre 1974.
- FELLGETT, Peter B., «Ambisonics. Part one: general system description», Studio Sound and Broadcast Engineering, vol. 17, no 8, 1975.
- FISHKIND, Beth C., «CEDAR noise reduction: getting the grain out», Audio, vol. 76, no 3, 1992
- FURNESS, Roger K., «Ambisonics - An Overview», expose presente à la 8e conference internationale de Audio Engineering Society, Washington, 1990.
- GASKELL, Peter S., Spherical harmonics analysis and some applications to surround sound, British Broadcasting Corporation research department report, BBC RD 1979/25, 1979.
- GASKELL, Peter S., «System UHJ: a hierarchy of surround sound transmission systems», The Radio and Electronic Engineer, vol. 49, no 9, 1979.
- GERLACH, Henning, «Stereo Sound Recording with Shotgun Microphones», Journal of the Audio Engineering Society, vol. 37, no 10, 1989.
- GERZON, Michael A., «The Principles of Quadraphonic Recording», Studio Sound and Broadcast Engineering, vol. 12, nos 8 et 9, 1970.
- GERZON, Michael A., «Recording Techniques for Multichannel Stereo», British Kinematography Sound and Television, vol. 53, juillet 1971.
- GERZON, Michael A., «Experimental Tetrahedral Recording», Studio Sound and Broadcast Engineering, vol. 13, nos 8, 9 et 10, 1971.
- GERZON, Michael A., «Periphony: With-Height Sound Reproduction», Journal of the Audio Engineering Society, vol. 21, no 1, 1973.
- GERZON, Michael A., «Encoding standards for 2-channel surround-sound», Electronic Letters, vol. 11, no 21, 1975.
- GERZON, Michael A., «Some production facilities available in Ambisonics», document interne, National Research Development Corporation, novembre 1977.
- GERZON, Michael A., «Practical Periphony: the Reproduction of Full-Sphere Sound», expose presente à la 65e convention de Audio Engineering Society, Londres, fevrier 1980.
- GERZON, Mchael A., «Ambisonics in Multichannel Broadcasting and Video», Journal of the Audio Engineering Society, vol. 33, no 11, 1985.
- GERZON, Michael A., «Three channels: the future of stereo?», Studio Sound and Broadcast Engineering, vol. 32, no 6, 1990.
- GERZON, Michael A., «Optimum Reproduction Matrices for Multispeaker Stereo», Journal of the Audio Engineering Society, vol. 40, no 7/8, 1992.
- GERZON, Michael A., «Hierarchical Transmission System for Multispeaker Stereo», Journal of the Audio Engineering Society, vol. 40, no 9, 1992.
- GERZON, Michael A., «Problems of Upward and Downward Compatibility in Multichannel Stereo Systems», expose no 3404 presente à la 93e convention de Audio Engineering Society, San Francisco, octobre 1992.
- GERZON, Michael A., «Psychoacoustic Decoders for Multispeaker Stereo and Surround Sound», expose no 3406 presente à la 93e convention de Audio Engineering Society, San Francisco, octobre 1992.
- GERZON, Michael A., «Applications of Blumlein Shuffling to Stereo Microphone Techniques», expose no 3448 presente à la 93e convention de Audio Engineering Society, San Francisco, octobre 1992.
- GOLBERG, Ron, «3-D Audio», Electronic Musician, vol. 8, no 10, 1992.
- GRIESINGER, David, «Spaciousness and Localization in Listening Rooms and Their Effects on the Recording Techniques», Journal of the Audio Engineering Society, vol. 34, no 4, 1986.
- GRIESINGER, David, «Equalization and Spatial Equalization of Dummy-Head Recordings for Loudspeakers Reproduction», Journal of the Audio Engineering Society, vol. 37, no 1/2, 1989.
- GRIESINGER, David, «Theory and Design of a Digital Audio Signal Processor for Home Use», Journal of the Audio Engineering Society, vol. 37, no 1/2, 1989.
- HEEGAARD, F., «The Reproduction of Sound in Auditory Perspective and a Compatible System of Stereophony», European Broadcast Union Review, Part A - Technical, no 52, 1958.
- HERTZ, Bent F., «100 Years with Stereo: The Beginning», Journal of the Audio Engineering Society, vol. 29, no 5, 1981.
- HIBBING, Manfred, «X-Y and M-S Microphone Techniques in Comparison», Journal of the Audio Engineering Society, vol. 37, no 10, 1989.
- HOLMAN, Tomlinson, «THX Sound System. Certified Hi-Fi for the Movies», Audio, vol. 73, no 9, 1989.
- HOLMAN, Tomlinson, «New Factors in Sound for Cinema and Television», Journal of the Audio Engineering Society, vol. 35, no 7/8, 1991.
- JECKLIN, Jürg, «A Different Way to Record Classical Music», Journal of the Audio Engineering Society, vol. 29, no 5, 1981.
- KELLER, A. C., «Early Hi-Fi and Stereo Recording at Bell Laboratories (1931-1932)», Journal of the Audio Engineering Society, vol. 29, no 4, 1981.
- KLAYMAN, Arnold I., «SRS, surround sound with only two speakers», Audio, vol. 76, no 9, 1992.
- MacCABE, C.J., et al., «Virtual Imaging capabilities of Surround Sound Systems», expose no 3402 presente à la 93e convention de Audio Engineering Society, San Francisco, octobre 1992.
- MAJIMA, Yoshiyuki, et al., «The RSS processor: Three dimensional sound generation from conventionally recorded two-channel sources», texte non publié, Roland Corporation, 1990.
- MALHAM, Dave G., «Digitally programmable Soundfield controller», Studio Sound and Broadcast Engineering, vol. 26, no 2, 1984.
- MALHAM, Dave G., «Computer control of Ambisonic soundfields», expose no 2463 presente à la 82e convention de Audio Engineering Society, Londres, mars 1987.
- MARION, Jerry B., Classical Electromagnetic Radiation, New York, Academic Press, 1965.
- MEYER, E. Brad, «Magic Space», Stereo Review, vol. 53, no 8, 1988.
- MEYER, E., THEILE, R., «Raumakustische untersuchungen in zahlreichen konzertsälen und rundfunkstudios unter anwendung neuerer messverfahren», Acustica, vol 6, no 2, 1956.
- MØLLER, Henrik, «Reproduction of Artificial-Head Recordings through Loudspeakers», Journal of the Audio Engineering Society, vol. 37, no 1/2, 1989.
- MORRIS, Anthony, QUESTED, Roger, «The virtual room», Studio Sound and Broadcast Engineeering, vol. 34, no 12, 1992.
- POULAIN, Jacques, «Son et espace», Vers une musique expérimentale, numéro spécial de La revue musicale, Paris, Richard Masse Éditeurs, 1957.
- SAINT-ONGE, Louis, «Calcul d'une pyramide à quatre faces de volume minimal qui contient complètement un parallélépipède de dimensions arbitraires», manuscrit commandé par Daniel Courville, 1989.
- SAINT-ONGE, Louis, «Calcul du volume d'une pyramide à base triangulaire comprise à l'intérieur d'un parallélépipède de dimensions données», manuscrit commandé par Daniel Courville, 1989.
- SAINT-ONGE, Louis, «Comment obtenir une sphère d'un tétraèdre régulier», manuscrit commandé par Daniel Courville, 1990.
- SCHEIBER, Peter, «Analysing Phase-Amplitude Matrices», Journal of the Audio Engineering Society, vol. 19, no 10, 1971.
- SESSLER, Gerhard M., et al., «Unidirectional, second-order gradient microphone», Journal of the Acoustical Society of America, vol. 86, no 9, 1989.
- SIPPL, Fritz, «Advanced Stereo Sound Pickup and Reproduction», texte non publié, AKG Acoustics, 1989.
- SNOW, William B., «Basic Principles of Stereophonic Sound», Journal of the Society of Motion Picture and Television Engineers, vol. 61, no 11, 1953.
- SUNIER, John, «Binaural Overview: Ears Where The Mikes Are», Audio, vol. 73, nos 11 et 12, 1989.
- THEILE, Günther, «On the Naturalness of Two-Channel Stereo Sound», Journal of the Audio Engineering Society, vol. 39, no 10, 1991.
- VANDERKOOY, John, LIPSHITZ, Stanley P., «Anomalies of wavefront reconstruction in stereo and surround-sound reproduction», expose no 2554 presente à la 83e convention de Audio Engineering Society, New York, octobre 1987.
- VEIT, Ivar, SANDER, Harald, «Production of Spatially Limited Diffuse Sound Field in an Anechoic Room», Journal of the Audio Engineering Society, vol. 35, no 3, 1987.
- WHYTE, Bert, «Behind the scenes: Home is where the hall is», Audio, vol. 76, no 3, 1992.
- WÖHR, Martin, et al., «Room-Related Balancing Technique: A Method for Optimizing Recording Quality», Journal of the Audio Engineering Society, vol. 39, no 9, 1991.
- WORAM, John M., Sound Recording Handbook, Indianapolis, Howard W. Sams & Company, 1989.
- WOSZCZYK, Wieslaw R., «A Microphone Technique Applying the Principle of Second-Order-Gradient Unidirectionality», Journal of the Audio Engineering Society, vol. 32, no 7/8, 1984.
- WOSZCZYK, Wieslaw R., «Microphone Arrays Optimized for Music Recording», expose no 3255 presente à la 92e convention de Audio Engineering Society, Vienne, mars 1992.
- WRIGHT, Karen, «An Earful of 3-D Music», Discover, vol. 11, no 12, 1990.
- YOST, William A., GOUREVITCH, Georges, ed., Directional Hearing, New York, Springer-Verlag, 1987.
- «AGM MR1-Mk1 Microphone Recording System First Presentation in USA», communiqué de presse de la compagnie AGM Digital Arts, 1er octobre 1993.
- «AMS Soundfield MKV Microphone User Manual (Issue 1)»
- «Products», Studio Sound and Broadcast Engineering, vol. 35, no 4, 1993.
- «Spherical Family», Theorist, logiciel de mathémathique graphique pour ordinateur Macintosh, San Francisco, Prescience Corporation, 1991, version 1.11.
- Gotham Audio, liste de prix des produits Ambisonic de Audio Design, New York, 1992.
- GERZON, Michael A., «A Geometric Model for Two-Channel Four-Speaker Matrix Stereo Systems», Journal of the Audio Engineering Society, vol. 23, no 2, 1975.
- COOPER Duane H, SHIGA Takeo, «Discrete-Matrix Multichannel Stereo», Journal of the Audio Engineering Society, vol. 20, no 5, 1972.
- GERZON, Michael A., «Surround sound system 45 J», document interne, National Research Development Corporation, Londres, 1977.
- «MR1-Mk1 Microphone Recording System», prospectus publicitaire, AGM Digital Arts Limited, 1993.